what

Recordings
( click on title for info)

 

Most recent work:

September 25th, 2008 - Premiered at Santa Maria della Scala Musuem in Siena

Flowers of Now -  Intuitive Music in Cologne
with Markus Stockhausen, Tara Bouman, Vera Fischer and Deborah Walker
21st Records -  Italy

 

- Solo works

2007




Tacet
with Markus Stockhausen, Steve Jansen, Deborah Walker, Steve Lawson and Frank Moreno
Extreme -  Australia


2003


Subterraneans
Auditorium Edizioni - Italy

- - Ensembles

2008


Flowers of Now -  Intuitive Music in Cologne
with Markus Stockhausen, Tara Bouman, Vera Fischer and Deborah Walker
21st Records -  Italy

2005


Deep Ocean Inside - Isn't (side project)
Sublime Label - Italy

- - - Collaborations

2007


21st Century - by Holger Czukay
Dignose - Germany


2005


An Impulse of Acoustic - by Sunao Inami
C.U.E. Records - Japan


2002


Linear City - Curved Suburbs – by Holger Czukay
Dignose - Germany

- - - - Compilations

2006


Compagnia d'Arte Digitale
– V.A. - one ( duet with Steve Lawson) track
Kandinsky Records/Audioglobe - Italy


2005


Beyond the Darkness – V.A. - one (solo) track
Oltre il Suono - Italy


2004


C.U.E. Compilation One – V.A. - one (solo) track
C.U.E. Records - Japan

2001


State of the Union – Elliott Sharp’s Project - one (solo) track
Electronic Music Foundation - Usa


Location – V.A. - one (solo) track
CT Collective - Usa


2000


Philter Phrenzy – V.A. - two (solo) tracks
CT Collective - Usa


Ambitative – V.A. - one (solo) track
CT Collective - Usa

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Not published:

1999

Solo works
- CdR - Luca Formentini (solo album)


1988

The room - Tape - Luca Formentini (solo album)


Not going to be published:

The naked sound – a project realised with Italo de Angelis. Performed live in Milan during the international gtr festival “To Sting” in march 2001. The source material is a sampling of the sculpting work of Gio in her studio. These noises, usually considered as a by-product of the art-making, have been widely processed in real time, bringing to the surface hidden soundscapes. These sounds were used as the base over which the two guitars have improvised.