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Art-reactive

I love connecting with other artists’ work and transmit the result of such relation in the acoustic domain.
Looking for the spontaneous flow between sound, the art object and the space where it all happens.

It can be a response, an investigation, a reaction, a punctuation; always a consequence.
Being placing contact microphones under a canvas to catch the sound behind painting, evoking a missing presence, or filling the space with vibrations to empower connection it is always about prolonging, expanding, moving to and from the initial gesture.
To create a connection, an invitation to a deeper relation.

The artists I’m working with and/or on lately are:

The institutions and Museums I’ve been working in and/or for:

Old installations I was involved with:

  • Hunting for Parrhesia: Venice Biennale – with Steve Piccolo, Gak Sato and Stefano Castagna.
  • SubBrixia: Brescia – five months site-specific audio installation with Stefano Castagna, for Francesco Fonassi.
  • Organico Elettronico Celeste: San Salvatore Cathedral, Santa Giulia Arheological museum in Brescia, with Stefano Castagna, Agustina Mosca and Laurie Amat, for Brescia Musei foundation.
  • All Brothers: San Martino della Battaglia, with Eivind Aarset, Roger Mills, Markus Stockhausen, Claude Voit and Stefano Castagna, for the International Red Cross.
  • I Suoni delle Dolomiti: with Markus Stockhausen, Deborah Walker, Andreas Polyzogolupos, Davide Rossi and Tara Bouman
  • Il Sogno Bianco: Lissone – Milano Contemporary Art Museum, with Lucio Pozzi and Stefano Castagna
  • Pacciamina Leonesia: Fondazione Vittorio Leonesia – Puegnago del Garda, with Lucio Pozzi and Stefano Castagna
  • Contemporary Art Garden: Philipp Morris Foundation – Brescia
  • Santa Maria alla Scala museum – Siena
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